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It is in the realm of narratives that art can make its most potent interventions into our politics. I do not mean to reduce a book like One Hundred Years of Solitude to a “liberal vs. conservative” framework—even though this book deals to a very large extent with Colombia’s “Thousand Days’ War,” which was precisely a war between Liberals and Conservatives, like any true work of art it defeats such ready-made binaries to show us that the world is immensely more mysterious and complex. And indeed, this must be another measure of García Márquez’s success: that he has given us books that touch us deeply, even if we know virtually nothing of this source material. His novels have altered our narratives even while they resist simple interpretation, growing with society as it ages and remaining contemporary and relevant. To once again quote Bloom, “García Márquez has given contemporary culture, in North America and Europe, as much as in Latin America, one of its double handful of necessary narratives, without which we will understand neither one another nor our own selves.”
The proper use of Walden Pond and Walden Woods has been the subject of debate for over a century. Should it serve as a public park with full access for swimming, fishing, hunting, and camping? Should it be preserved in a pristine state? Should commercial development be allowed? For several decades, the area has been open to the public for swimming and fishing. Those who have felt that the pond was threatened by overuse have been very vocal in Concord, and during the 1980s the number of users per day was limited by closing the parking area when a certain capacity was reached. During the same period, though, the town made it possible for some of the land around the pond to be developed. When the door to development opened, two projects were proposed: a large office building and a condominium complex. These plans were brought to the attention of Don Henley, lead singer of the rock group the Eagles, by a group of concerned local residents. Henley spearheaded a campaign to preserve the area, and rallied political figures such as Senators Ted Kennedy and Paul Tsongas, as well as a number of actors and musicians, to the support of the Walden Woods Project (WWP). WWP arranged a number of fund-raising events, including rock concerts, movie premieres, and a "Walk for Walden Woods," and successfully negotiated with the developers to purchase the endangered land, as well as additional land in Walden Woods. THE LEGACY OF WALDEN In order to continue the process of education about the need for preservation, the Walden Woods Project turned to the Thoreau Society and its half-century of experience and knowledge. The Society and WWP collaborated to found the Thoreau Institute , which is owned and managed by WWP and hosts seminars and forums on Thoreau, Transcendentalism, and the environment. The Institute is also the repository of the world's largest collection of Thoreau-related research material. The Thoreau Institute and the Thoreau Society promote continued interest in and research on Thoreau and his work. This essay was written in 1995 for an exhibit commemorating the 150th anniversary of Thoreau's move to Walden Pond and his writing of the American classic, Walden ; it has been updated for inclusion here. All references are to Walden , ed. J. Lyndon Shanley (Princeton: Princeton University Press, 1971).