Like any industry, writing and research require serious quality control measures and we consider that our biggest task. There are several mechanism that we have adopted over the years that help us meet all our guarantees on quality and deadlines. Every paper typed by our writers is electronically scanned by a plagiarism detection utility and later manually reviewed by a trusted editor who is likely to spot plagiarized content. Yet, the most effective tool is the thorough examination that every one of our writers had to go through at the hiring stage. There have been numerous cases of cheating on our entrance-tests and dishonest writers who cheated there would eventually cheat on the job. The end result of that war on plagiarism looks promising: Every one of our client is guaranteed 100% authentic non-plagiarized writing (money back guarantee).
Didion continues to write with as much style and sensitivity as she did in her first collection, her voice refined by a lifetime of experience in self-examination and piercing critical appraisal. She got her start at Vogue in the late fifties, and in 2011, she published an autobiographical essay there that returns to the theme of “yearning for a glamorous, grown up life” that she explored in “Goodbye to All That.” In “ Sable and Dark Glasses ,” Didion’s gaze is steadier, her focus this time not on the naïve young woman tempered and hardened by New York, but on herself as a child “determined to bypass childhood” and emerge as a poised, self-confident 24-year old sophisticate—the perfect New Yorker she never became.