A couple of years after that panic attack, I was standing in a huge crowd of white people at a music festival, wearing a backpack with some wires inside. I opened it to get something out and I registered a sharp feeling of gratitude that none of them seemed frightened of me. Guilt, even, that I had put them in a situation that could be perceived as a threat. I’m the bomb, I realized, standing there. I am the bomb. I had not become the horrified white woman; rather, her panic, disgust and fear, her grotesque theatre, had found a home inside me, and it had flourished to the point of saturation. I was seeing explosions everywhere because I was finally ready to explode.